{"id":436,"date":"2020-10-16T09:33:59","date_gmt":"2020-10-16T07:33:59","guid":{"rendered":"https:\/\/juliakursawe.de\/?page_id=436"},"modified":"2026-02-09T11:57:43","modified_gmt":"2026-02-09T10:57:43","slug":"suite-cubic-esp","status":"publish","type":"page","link":"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-cubic\/suite-cubic-esp\/","title":{"rendered":"Suite Cubic esp"},"content":{"rendered":"\n<p style=\"text-align: right;\"><a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-cubic\/suite-cubic-engl\/\"><img loading=\"lazy\" class=\"alignnone wp-image-1905 \" src=\"https:\/\/juliakursawe.de\/wp-content\/uploads\/2020\/10\/english.jpg\" alt=\"\" width=\"35\" height=\"23\" \/><\/a>  &nbsp; <a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-cubic\/\"><img loading=\"lazy\" class=\"alignnone wp-image-1906 \" src=\"https:\/\/juliakursawe.de\/wp-content\/uploads\/2020\/10\/deutsch.jpg\" alt=\"\" width=\"35\" height=\"23\" \/><\/a>\n\n\n\n<h2 class=\"has-text-align-center\">SUITE CUBIC<\/h2>\n\n\n\n<p class=\"has-text-align-center\"><strong>Bach para Violonchelo barroco, beatboxing y danza<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"SUITE CUBIC - Bach for baroque cello, beatbox and dance\" src=\"https:\/\/player.vimeo.com\/video\/1009926387?dnt=1&amp;app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p>Con el principio de que la m\u00fasica es igual a movimiento, es igual a ruido, las dos primeras suites para violonchelo solo de 3 artistas de Johann Sebastian Bach las analizan y las vuelven a unir para el inusual tr\u00edo de violonchelo barroco, beatbox y danza. El resultado es una obra que utiliza las diferentes formas de arte como instrumentos de igual valor, lo que permite que los sonidos y las estructuras compositivas de Bach aparezcan de una manera completamente nueva. <br>&#8222;\u00bfC\u00f3mo ser\u00eda hoy Bach como artista de performance?&#8220;<\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background-color:#f6f3ed\"><strong>Mai 2026<\/strong><br><strong>Connecting Centuries \u2013 Das Alte Musik-Festival im Kreis Minden-L\u00fcbbecke<\/strong><br><strong>Nordrhein-Westfalen<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-nv-site-bg-background-color has-background\">direcci\u00f3n art\u00edstica, concepto: <strong>Julia Kursawe<\/strong><br>choreografia, danza: <strong><a rel=\"noreferrer noopener\" href=\"http:\/\/www.mendora.com\/\" target=\"_blank\">Yui Kawaguchi<\/a>&nbsp;<\/strong><br>beatboxing, live looping: <strong><a rel=\"noreferrer noopener\" href=\"http:\/\/4xsample.de\/\" target=\"_blank\">Daniel Mandolini<\/a> <\/strong><br>arrangements, violonchelo barroco: <strong><a href=\"https:\/\/juliakursawe.de\/\">Julia Kursawe<\/a>&nbsp;<\/strong><br>vestuario: Alice Erika Hoffmann <br>iluminaci\u00f3n y direcci\u00f3n t\u00e9cnica: Fabian Bleisch <br>sonido: Jordi Kuragari <\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background-color:#f6f3ed\"><em>M\u00fasica:&nbsp;Johann Sebastian Bach (1685 Eisenach \u2013 1750 Leipzig)<br>Suite para Violonchelo solo en G-Mayor y d-minor, BWV 1007 y 1008&nbsp;<br>Prelude \u2013 Allemande \u2013 Courante \u2013 Sarabande \u2013 Menuett 1&nbsp;+ 2 \u2013 Gigue<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><meta charset=\"utf-8\"><em><i>Eine Produktion von Julia Kursawe und Yui Kawaguchi | Mendora GbR.<br>Gef\u00f6rdert durch den Bezirkskulturfonds, Fachbereich Kunst, Kultur und Geschichte des Bezirksamts Mitte von Berlin und <\/i>durch die Galerie Tammen. In Kooperation mit Nico and the Navigators. Mit freundlicher Unterst\u00fctzung der Uferstudios Berlin, dem Theaterhaus Berlin Mitte und Heidi Gr\u00f6ger, sowie der Initiative #Freiraum des Konzerthauses Berlin und der Deutschen Orchester-Stiftung.  <br>F\u00fcr die Wiederaufnahme gef\u00f6rdert vom Fonds Darstellende K\u00fcnste aus Mitteln der Beauftragten der Bundesregierung f\u00fcr Kultur und Medien im Rahmen von Neustart Kultur. In Kooperation mit dem Kultur B\u00fcro Elisabeth.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-background has-medium-font-size\" style=\"background-color:#f6f3ed\"><strong><a href=\"https:\/\/juliakursawe.de\/index.php\/index-php-works-impuls-der-suite-archiv\/\">archivo &amp; prensa<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; SUITE CUBIC Bach para Violonchelo barroco, beatboxing y danza Con el principio de que la m\u00fasica es igual a movimiento, es igual a ruido, las dos primeras suites para violonchelo solo de 3 artistas de Johann Sebastian Bach las analizan y las vuelven a unir para el inusual tr\u00edo de violonchelo barroco, beatbox y&hellip;&nbsp;<a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-cubic\/suite-cubic-esp\/\" class=\"\" rel=\"bookmark\">Weiterlesen &raquo;<span class=\"screen-reader-text\">Suite Cubic esp<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":58,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":""},"_links":{"self":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/436"}],"collection":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/comments?post=436"}],"version-history":[{"count":79,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/436\/revisions"}],"predecessor-version":[{"id":4795,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/436\/revisions\/4795"}],"up":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/58"}],"wp:attachment":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/media?parent=436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}