{"id":439,"date":"2020-10-16T09:35:08","date_gmt":"2020-10-16T07:35:08","guid":{"rendered":"https:\/\/juliakursawe.de\/?page_id=439"},"modified":"2026-02-09T11:57:25","modified_gmt":"2026-02-09T10:57:25","slug":"suite-cubic-engl","status":"publish","type":"page","link":"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-cubic\/suite-cubic-engl\/","title":{"rendered":"Suite Cubic engl"},"content":{"rendered":"\n<p style=\"text-align: right;\"><a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-cubic\/suite-cubic-esp\/\"><img loading=\"lazy\" class=\"alignnone wp-image-1905 \" src=\"https:\/\/juliakursawe.de\/wp-content\/uploads\/2020\/10\/espanol.jpg\" alt=\"\" width=\"35\" height=\"23\" \/><\/a>  &nbsp; <a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-cubic\/\"><img loading=\"lazy\" class=\"alignnone wp-image-1906 \" src=\"https:\/\/juliakursawe.de\/wp-content\/uploads\/2020\/10\/deutsch.jpg\" alt=\"\" width=\"35\" height=\"23\" \/><\/a>\n\n\n\n<h2 class=\"has-text-align-center\">SUITE CUBIC<\/h2>\n\n\n\n<p class=\"has-text-align-center\"><strong>Bach for baroque cello, beatbox and dance<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"SUITE CUBIC - Bach for baroque cello, beatbox and dance\" src=\"https:\/\/player.vimeo.com\/video\/1009926387?dnt=1&amp;app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p>With the principle that music equals movement, equals noise, the 3 artists Johann Sebastian Bach&#8217;s first two suites for cello solo analyze and put them back together for the unusual trio of baroque cello, beatbox and dance. The result is a work that uses the different art forms as instruments of equal value and thus allows Bach&#8217;s sounds and compositional structures to appear in a completely new way. <br>&#8222;How would Bach be as a performance artist today?&#8220;<\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background-color:#f6f3ed\"><strong>Mai 2026<\/strong><br><strong>Connecting Centuries \u2013 Das Alte Musik-Festival im Kreis Minden-L\u00fcbbecke<br>Nordrhein-Westfalen<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-nv-site-bg-background-color has-background\">artistic director, concept: <strong>Julia Kursawe<\/strong><br>choreography, dance: <strong><a rel=\"noreferrer noopener\" href=\"http:\/\/www.mendora.com\/\" target=\"_blank\">Yui Kawaguchi<\/a>&nbsp;<\/strong><br>beatboxing, live looping: <strong><a rel=\"noreferrer noopener\" href=\"http:\/\/4xsample.de\/\" target=\"_blank\">Daniel Mandolini<\/a> <\/strong><br>arrangements, baroque cello: <strong><a href=\"https:\/\/juliakursawe.de\/\">Julia Kursawe<\/a>&nbsp;<\/strong><br>costume: Alice Erika Hoffmann <br>lights and technical direction: Fabian Bleisch <br>sound: Jordi Kuragari<\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background-color:#f6f3ed\"><em>Music:&nbsp;Johann Sebastian Bach (1685 Eisenach \u2013 1750 Leipzig)<br>Suite for Violoncello solo in G-Major and d-minor, BW 1007 and 1008&nbsp;<br>Pr\u00e9lude \u2013 Allemande \u2013 Courante \u2013 Sarabande \u2013 Menuett 1&nbsp;+ 2 \u2013 Gigue<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-small-font-size\"><em><em>Eine Produktion von Julia Kursawe und Yui Kawaguchi | Mendora GbR.<br>Gef\u00f6rdert durch den Bezirkskulturfonds, Fachbereich Kunst, Kultur und Geschichte des Bezirksamts Mitte von Berlin und&nbsp;<\/em>durch die Galerie Tammen. In Kooperation mit Nico and the Navigators. Mit freundlicher Unterst\u00fctzung der Uferstudios Berlin, dem Theaterhaus Berlin Mitte und Heidi Gr\u00f6ger, sowie der Initiative #Freiraum des Konzerthauses Berlin und der Deutschen Orchester-Stiftung.<br>F\u00fcr die Wiederaufnahme gef\u00f6rdert vom Fonds Darstellende K\u00fcnste aus Mitteln der Beauftragten der Bundesregierung f\u00fcr Kultur und Medien im Rahmen von Neustart Kultur. In Kooperation mit dem Kultur B\u00fcro Elisabeth.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-background has-medium-font-size\" style=\"background-color:#f6f3ed\"><strong><a href=\"https:\/\/juliakursawe.de\/index.php\/index-php-works-impuls-der-suite-archiv\/\">archive &amp; press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; SUITE CUBIC Bach for baroque cello, beatbox and dance With the principle that music equals movement, equals noise, the 3 artists Johann Sebastian Bach&#8217;s first two suites for cello solo analyze and put them back together for the unusual trio of baroque cello, beatbox and dance. The result is a work that uses the&hellip;&nbsp;<a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-cubic\/suite-cubic-engl\/\" class=\"\" rel=\"bookmark\">Weiterlesen &raquo;<span class=\"screen-reader-text\">Suite Cubic engl<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":58,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"full-width","neve_meta_container":"","neve_meta_enable_content_width":"on","neve_meta_content_width":100,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":""},"_links":{"self":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/439"}],"collection":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/comments?post=439"}],"version-history":[{"count":72,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/439\/revisions"}],"predecessor-version":[{"id":4793,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/439\/revisions\/4793"}],"up":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/58"}],"wp:attachment":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/media?parent=439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}