{"id":61,"date":"2020-10-11T18:41:07","date_gmt":"2020-10-11T16:41:07","guid":{"rendered":"https:\/\/juliakursawe.de\/?page_id=61"},"modified":"2024-05-02T15:49:06","modified_gmt":"2024-05-02T13:49:06","slug":"suite-minimale","status":"publish","type":"page","link":"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-minimale\/","title":{"rendered":"Suite Minimale"},"content":{"rendered":"\n<p style=\"text-align: right;\"><a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-minimale\/suite-minimale-esp\/\"><img loading=\"lazy\" class=\"alignnone wp-image-1905 \" src=\"https:\/\/juliakursawe.de\/wp-content\/uploads\/2020\/10\/espanol.jpg\" alt=\"\" width=\"35\" height=\"23\" \/><\/a>  &nbsp; <a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-minimale\/suite-minimale-engl\/\"><img loading=\"lazy\" class=\"alignnone wp-image-1906 \" src=\"https:\/\/juliakursawe.de\/wp-content\/uploads\/2020\/10\/english.jpg\" alt=\"\" width=\"35\" height=\"23\" \/><\/a>\n\n\n\n<h2 class=\"has-text-align-center\">suite MINIMALE<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"suite MINIMALE Trailer\" src=\"https:\/\/player.vimeo.com\/video\/385952681?dnt=1&amp;app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"has-background\" style=\"background-color:#ffffff\"><br>Philip Glass\u2018 Minimal Music und die pr\u00e4chtige Barockmusik von Dall\u2019Abaco kommen in einer gemeinsamen Bewegungssprache aus Tanz und Cellomusik unerwartet zusammen. <br><br>Minimal Music und die Pracht der Barockmusik scheinen sich diametral entgegen zu stehen. Die K\u00fcnstlerinnen Julia Kursawe und Irene Cortina Gonz\u00e1les schauen dennoch genauer hin. Sie stellen die Kompositionen \u201eSongs and Poems\u201c von Philip Glass und&nbsp; \u201eCapricci f\u00fcr Cello solo\u201c&nbsp; von Joseph M.C.F. Dall\u2019Abaco direkt nebeneinander und entdecken verbindende Elemente in beiden Stilen. <br>Aus meist einfachen, sich immer wiederholenden Motiven entstehen Pattern, welche die Musik nicht durch extreme Gegens\u00e4tze oder Entwicklung sondern durch ein Kontinuum pr\u00e4gen. <br>Die suite MINIMALE entwickelt sich so zu einer Suite, wie sie schon vor 350 Jahren \u00fcblich war, allerdings mit dem Inhalt heutiger und barocker Kompositionen f\u00fcr Cello solo. Verst\u00e4rkt wird dies durch die \u00dcbersetzung der musikalischen Bewegungssprache in modernen Tanz.&nbsp;<br><\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background-color:#f6f3ed\">Konzept, Musikalische Leitung und Barockcello: <a href=\"http:\/\/www.juliakursawe.de\">Julia Kursawe<\/a>&nbsp;<br>Choreographie und Tanz: <a rel=\"noreferrer noopener\" aria-label=\"Irene Cortina Gonz\u00e1lez (opens in a new tab)\" href=\"https:\/\/irenecortina.wordpress.com\/\" target=\"_blank\">Irene Cortina Gonz\u00e1lez<\/a>&nbsp;<br>Kost\u00fcm: <a rel=\"noreferrer noopener\" aria-label=\"Christin Noel (opens in a new tab)\" href=\"https:\/\/noelchristin.wordpress.com\/\" target=\"_blank\">Christin Noel<\/a>&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background-color:#ffffff\"><em>Musik: <\/em><br><em>Philip Glass (geb. 1937 Baltimore, Maryland, USA)&nbsp;\u2013 Nr. 3 aus Songs and Poems for cello solo (2007)&nbsp;<br>Joseph M.C.F.Dall\u2019Abaco (1710 Br\u00fcssel &#8211; 1850 Provinz Verona)&nbsp;\u2013 Capriccio Nr. 6 f\u00fcr Cello solo&nbsp;<br>Philip Glass&nbsp;\u2013 Nr. 7 aus Songs and Poems&nbsp;<br>J.M.C.F. Dall\u2019Abaco&nbsp;\u2013 Capriccio Nr. 5&nbsp;<\/em><br><em>Philip Glass &#8211; Nr. 2 aus Songs and Poems<\/em><br><em>J.M.C.F. Dall&#8217;Abaco &#8211; Capriccio Nr. 2<br>J.M.C.F. Dall\u2019Abaco&nbsp;\u2013 Capriccio Nr. 7&nbsp;<br>Philip Glass&nbsp;\u2013 Nr. 6 aus Songs and Poems&nbsp;<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-background has-medium-font-size\" style=\"background-color:#f6f3ed\"><strong><a href=\"https:\/\/juliakursawe.de\/index.php\/index-php-works-impuls-der-suite-archiv\/\">Archiv &amp; Presse<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\">Foto \u00a9 privat<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; suite MINIMALE Philip Glass\u2018 Minimal Music und die pr\u00e4chtige Barockmusik von Dall\u2019Abaco kommen in einer gemeinsamen Bewegungssprache aus Tanz und Cellomusik unerwartet zusammen. Minimal Music und die Pracht der Barockmusik scheinen sich diametral entgegen zu stehen. Die K\u00fcnstlerinnen Julia Kursawe und Irene Cortina Gonz\u00e1les schauen dennoch genauer hin. Sie stellen die Kompositionen \u201eSongs and&hellip;&nbsp;<a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-minimale\/\" class=\"\" rel=\"bookmark\">Weiterlesen &raquo;<span class=\"screen-reader-text\">Suite Minimale<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":51,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":""},"_links":{"self":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/61"}],"collection":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/comments?post=61"}],"version-history":[{"count":11,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/61\/revisions"}],"predecessor-version":[{"id":3806,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/61\/revisions\/3806"}],"up":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/51"}],"wp:attachment":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/media?parent=61"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}