{"id":82,"date":"2020-10-11T18:55:14","date_gmt":"2020-10-11T16:55:14","guid":{"rendered":"https:\/\/juliakursawe.de\/?page_id=82"},"modified":"2024-05-02T15:54:03","modified_gmt":"2024-05-02T13:54:03","slug":"suite-for-cello-and-crinoline","status":"publish","type":"page","link":"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-fuer-cello-und-reifrock\/suite-for-cello-and-crinoline\/","title":{"rendered":"Suite for cello and crinoline"},"content":{"rendered":"\n<p style=\"text-align: right;\"><a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-fuer-cello-und-reifrock\/suite-para-chelo-y-crinolina\/\"><img loading=\"lazy\" class=\"alignnone wp-image-1906 \" src=\"https:\/\/juliakursawe.de\/wp-content\/uploads\/2020\/10\/espanol.jpg\" alt=\"\" width=\"35\" height=\"23\"><\/a>&nbsp;&nbsp; <a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-fuer-cello-und-reifrock\/\"><img loading=\"lazy\" class=\"alignnone wp-image-1913 \" src=\"https:\/\/juliakursawe.de\/wp-content\/uploads\/2020\/10\/deutsch.jpg\" alt=\"\" width=\"35\" height=\"24\"><\/a><\/p>\n\n\n\n<h2 class=\"has-text-align-center\">Suite for cello and crinoline<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe loading=\"lazy\" title=\"Suite for Cello and Crinoline (Trailer)\" src=\"https:\/\/player.vimeo.com\/video\/128977982?dnt=1&amp;app_id=122963\" width=\"1200\" height=\"675\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<h5 class=\"has-text-align-center\">The concept of this suite is a dramaturgic cycle.<\/h5>\n\n\n\n<h5 class=\"has-text-align-center\">The suite tells an abstract story in a sensual way.<\/h5>\n\n\n\n<p class=\"has-background\" style=\"background-color:#ffffff\">Here the music is sound and is movement in space that will made visible by the dancer.&nbsp;<br>A composition unfolds where both performers show us the same story.<\/p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#ffffff\">Everything starts with form, with courtly formality. But soon the character starts to develop beyond formality, she discovers her own personality. The empty shell of the crinoline becomes a young lady who fills it with life and sensuality, freeing herself from courtly rules and formalities, dancing just her own way.<\/p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#ffffff\">The suites for cello by J.S. Bach have a typical dramaturgic structure, which is based on the order of the used pieces. Based on this idea Julia Kursawe chose several dances and other music from different origin to assemble a suite. For that she took music from baroque&nbsp;&nbsp;but also from the 20th century.<\/p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#ffffff\">The dance choreography is not so much connected to the music, instead it\u2018s inspired by the sensations of the cello player and her movements while playing the suite. The relation between music and dance is here a relation between the cello player and the dancer.<\/p>\n\n\n\n<p class=\"has-background\" style=\"background-color:#ffffff\">Julia Kursawe plays the suite on a baroque cello, Irene Cortina Gonz\u00e1lez is dancing the suite, assembling contemporary dance and components of traditional baroque dance to something new.<\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background-color:#f6f3ed\">Art director, dramaturgy and baroque cello: <strong><a href=\"https:\/\/juliakursawe.de\">Julia Kursawe<\/a><\/strong><br>Choreography and contemporary dance: <strong><a rel=\"noreferrer noopener\" href=\"http:\/\/irenecortina.wordpress.com\" target=\"_blank\">Irene Cortina Gonz\u00e1lez<\/a><\/strong><br>Costumes: <a rel=\"noreferrer noopener\" href=\"http:\/\/noelchristin.wordpress.com\" target=\"_blank\">Christin Noel<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center has-background\" style=\"background-color:#ffffff\"><em>Giuseppe Colombi (1645 &#8211; 1694 Modena) \u2013 Partite sopra il basso di Ciaccona (per il Violone) <br>Joseph M.C.F. Dall\u2019Abaco (1710 Br\u00fcssel &#8211; 1805 Provinz Verona) \u2013 Capriccio No. 1, c-minor <br>Johann Sebastian Bach (1685 Eisenach &#8211; 1750 Leipzig) \u2013\u00a0Allemande from Suite No. 1, G-Major, BWV 1007 <br>Jean Louis Duport (1749 Paris &#8211; 1819 Paris) \u2013 Et\u00fcde No. 7, g-minor<br>Peteris Vasks (geb.1946 Aziputz, Lettland) \u2013 Pianissimo <br>Joseph M.C.F. Dall\u2019Abaco \u2013 Capriccio No. 8, G-Major<br>J.S.Bach \u2013 Gigue from Suite No. 3, C-Major, BWV 1009<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-background has-medium-font-size\" style=\"background-color:#f6f3ed\"><strong><a href=\"https:\/\/juliakursawe.de\/index.php\/index-php-works-impuls-der-suite-archiv\/\">archive &amp; press<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp; Suite for cello and crinoline The concept of this suite is a dramaturgic cycle. The suite tells an abstract story in a sensual way. Here the music is sound and is movement in space that will made visible by the dancer.&nbsp;A composition unfolds where both performers show us the same story. Everything starts with&hellip;&nbsp;<a href=\"https:\/\/juliakursawe.de\/index.php\/works\/impuls-der-suite\/suite-fuer-cello-und-reifrock\/suite-for-cello-and-crinoline\/\" class=\"\" rel=\"bookmark\">Weiterlesen &raquo;<span class=\"screen-reader-text\">Suite for cello and crinoline<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":78,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":""},"_links":{"self":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/82"}],"collection":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/comments?post=82"}],"version-history":[{"count":17,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/82\/revisions"}],"predecessor-version":[{"id":3819,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/82\/revisions\/3819"}],"up":[{"embeddable":true,"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/pages\/78"}],"wp:attachment":[{"href":"https:\/\/juliakursawe.de\/index.php\/wp-json\/wp\/v2\/media?parent=82"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}